November 15th, 2008

Rob Bell scares me. His Nooma videos are very popular in most youth group settings. Time Magazine calls him the “Hipper-Than-Thou-Pastor.” He pastors a large church in Grand Rapids, Michigan called Mars Hill Bible Church (not to be confused with Mars Hill Church in Seattle, WA). His claim to fame is his book “Velvet Elvis: Repainting the Christian Faith.” He’s cool–he’s popular–and that’s why he scares me.

Many of the bloggers in the sphere trash on Rob Bell, deem him as a heretic, and when you further question them, you find out they haven’t even read the book. They simply pull quotes they’ve found on other blogs, take them out of context, and decide to call him a heretic. Rob Bell’s name is surrounded by much controversy, and I received numerous hits from search engines of people trying to figure out the “heresy” that surrounds Bell’s name from my last post that simply mentioned his name. With that said, my goal is to be open and honest about what I’ve learned about Bell, and not go to either extreme (i.e. star struck, Rob Bell fan boy or the fundamentalist pastor who’s anti-all emerging church trends). But after reading Velvet Elvis: Repainting the Christian Faith, hearing Bell out completely and attempting to give Bell a fair trial–I have decided that he’s truly a major threat to the church of the next generation.

Before cracking into the book, I’d like to begin to address a Nooma video that came out about the time that I began my analysis of Rob Bell. I believe it was titled, “open,” and here’s a transcription that scared me a little,

“God’s desire is that the divine energy that made the world would flow between us and in the process draw us closer together. Prayer is tapping into the same energy that formed the universe. That’s why people say they can feel prayer, it’s because we can. Praying connects us to the people and things we are praying for. Prayer enlarges our perspective. Praying gives us a bigger heart. Praying makes us feel things. Praying changes thing, but prayer changes us. Praying makes us better people.”

This made me nervous because it seemed to have new age connotations. Almost reminded me of Star Wars. But like much of what he says, it sounds iffy, but he never says anything strong enough to deem him as a heretic.

Perhaps what gives the previous quote more support is that the footnotes of Bell’s Velvet Elvis say, “For a mind-blowing introduction to emergence theory and divine creativity, set aside three months and read Ken Wilber’s A Brief History of Everything.” (Velvet Elvis, page 192, footnote 143) Who is Ken Wilber? Pop his name in Google and you’ll find all sorts of crazy things. Here’s the introduction that Wikipedia gave,

Kenneth Earl “Ken” Wilber Jr. (b. January 31, 1949, Oklahoma City, U.S.), is an American author who writes on psychology, philosophy, mysticism, ecology, and spiritual evolution. He has been described as New Age, although his writings are critical of much of the New Age movement. His work formulates what he calls an “integral theory of consciousness.” He is a leading proponent of the integral movement and founded the Integral Institute in 1998.

While Wilber has practiced Buddhist meditation methods and the teachings of Madhyamika Buddhism and of Nagarjuna in particular underpin his work, Wilber does not self-identify as a Buddhist.

Apparently the guy can even stop his brainwaves, http://www.youtube.com/watch?v=LFFMtq5g8N4. He says, “If you want to know God, you’ve got to get your brain out of the way first. It’s just one big stupid filter….” It would be hard to encourage anyone to learn from the teachings of Rob Bell if he’s getting his insights from people like Ken Wilber.

One of his main movements argues that doctrines cannot be held on the same level as scripture (this is true). Further, we cannot question scripture, but we can and should question doctrines (also true). However, he uses the example of a wall as one’s basis of belief in doctrines. He says that if you take out some of the foundational bricks in your wall of doctrines, then the whole wall will fall. He goes farther to say,

What if tomorrow someone digs up definitive proof that Jesus had a real, earthly, biological father named Larry, and archaeologists find Larry’s tomb and do DNA samples to prove beyond a shadow of a doubt that the virgin birth was really just a bit of mythologizing the Gospel writers threw in to appeal to the followers of the Mithra and Dionysian religious cults that were hugely popular at the time of Jesus, whose gods had virgin births? But what if as you study the origin of the word virgin, you discover that the word virgin in the gospel of Matthew actually comes from the book of Isaiah, and then you find out that in the Hebrew language at that time, the word virgin could mean several things. As what if you discover that in the first century being “born of a virgin” also referred to a child whose mother became pregnant the first time she had intercourse? (Velvet Elvis, 26)

He later goes on to say that he actually believes in the virgin birth but he asks, “what if?” His point is that we should not hold to doctrines strongly because if one of the bricks (like the virgin birth) crumbles then the whole wall will fall. This is part of the problem with Rob Bell. He doesn’t hold to doctrines. You can’t discern what he actually believes. I am not ready to call him a heretic merely because I can’t figure out what he actually believes. Because he does not hold to doctrines, and you can’t figure out his stance on biblical issues. Try going to Mars Hill Bible Church’s web site, www.marshill.org, and try finding out what they believe. I would not be quick to take his teachings to heart. I have a problem with him saying that the virgin birth isn’t essential to the Christian faith… yet I also understand he was trying to use it as an example. I think he choose a poor choice in an example, but in what he said, I can’t actually deem him as a heretic for what he says in it’s entirety.

I believe the title “heretic” is very a strong charge, and should only be used with complete certainty. Some people, such as Benny Hinn, require only a few minutes of research to pass judgement. But Rob Bell is a different story simply because he does not hold to doctrines, and does not state anything definitively. I can say that Bell believes in scripture, but I can’t define what that means… and I’m not sure Bell could either. In order for me to call Bell a heretic, I would need to do further research, and I may not even come up with an answer then. However, I strongly trust the theology of Mark Driscoll (founding pastor of Mars Hill Church in Seattle, WA). My friends Doug and Rebecca directed me to a lecture Mark did about the emerging church where he addressed the Rob Bell issue. You can find it here. Mark deems Bell as a heretic–Mark is clear about his theology–I trust Mark–and I’m likely to take the research that Mark has done rather than continuing more of my own time and energy on this subject.

Would I recommend the reading? My answer is yes and no. No in that Velvet Elvis is so close to heresy that it isn’t the type of material a Christian should allow to shape their theology. Yes, in that if you are a pastor, and you minister to people below 30, you should know of “wolves in sheep’s clothing,” and be able to express why the church needs to stay away from Rob Bell’s material. If you fit the pastoral description, then I would not only suggest that you read the book, but say it is a must–and give you an even stronger charge if you are in the practice of using the Nooma videos. Or if you have somehow read this entire entry and are still planning on using Nooma videos… please at least read his book “Velvet Elvis” and judge his theology for yourself in light of the context. You owe it to those who look to you for theological direction.

It’s scary to think of the people who watch Nooma videos, turn around and read his book(s), and ultimately open themselves for liberal theology that is inspired by the new age movement, and perhaps ultimately find nothing wrong with the teachings of Ken Wilber.

Resources & Bibliography:

Written by: James
Posted in Christianity, Church, Theology | 2 Comments »
October 31st, 2008

On Oct. 31st, 1517 Martin Luther nailed the 95 Thesis to the church door which sparked the Reformation. So in honor of Reformation Day, I thought I’d post one of Luther’s prayers that should strike a cord with any who are involved in church leadership:

Lord God, You have appointed me as a Bishop and Pastor in Your Church, but
you see how unsuited I am to meet so great and difficult a task. If I had
lacked Your help, I would have ruined everything long ago. Therefore, I
call upon You: I wish to devote my mouth and my heart to you; I shall
teach the people. I myself will learn and ponder diligently upon You Word.
Use me as Your instrument — but do not forsake me, for if ever I should
be on my own, I would easily wreck it all.

Source

Written by: James
Posted in Church | No Comments »
October 20th, 2008

Choosing a song for a congregational worship gathering should be more than finding a catchy and unique tune. Today, there is an overwhelming number of songs to choose from. The congregation wants to offer the very best to their God, thus the plethora of resources allows the gathering planner to be picky. Numerous questions should be asked in considering music, but we will explore two primary questions.
1. What does the text say? Before listening to the melody, it is imperative that the text is evaluated. Music is influential; reading the text before hearing the music will guard against perceiving poor lyrics more highly than one ought. The text must be able to stand on its own, it is the only part that actually says something. Text should also be supported by Scripture either by quoting, paraphrasing, or at least reflecting Biblical concepts. The planner should be able to articulate, to any member of the congregation, as to how the song aligns with scripture.
2. Will the song be used for congregational singing? If so, can people sing it? Corporate worship is to be just that–corporate. Thus, one should attempt to include everyone as best as possible. A good rule of thumb is to make sure the melody mostly fits between Bb (below middle C) and D (13 whole steps above middle C).
The previous two questions will narrow down song options greatly, but one should also consider the context of the church and community (does the song stylistically fit within the demographics of the church and community) and the variety of songs (do they reflect the various attributes of God). Bottom line, we can and should be picky with the songs we choose.

Written by: James
Posted in Church, Planning, leadership, worship | No Comments »
October 14th, 2008

No other relationship comes close to this one. It is utterly unique. The Son is absolutely unique in the affections of the Father. He is the “only begotten” (John 1:14, 18; 3:16; 1 John 4:9). There is the Son, by eternal generation, and there are other “sons” by adoption. “When the fullness of time came, God sent forth his Son…to redeem those who were under the law, so that we might receive adoption as sons” (Galatians 4:4-5). Only in “receiving” Jesus as the Son are others empowered to become “children of God” (John 1:12). Jesus often referred to God as “my Father” and “the Father,” but he never referred to God as “our Father” except once, when teaching the disciples how they should pray (Matthew 6:9). Once he used the remarkable expression, “my Father and your Father…my God and your God” (John 20:17). The relationship between God the Father and his eternal Son is utterly unique.

The Pleasures of God by John Piper, page 32

Written by: James
Posted in Christianity, Theology | No Comments »
September 29th, 2008

I’m short on time, so this will have to be short. As you know, I’m a huge fan of Planning Center Online, it seriously has helped my organization [see my review here]. Every 6 hours of what I’d do in just organizing (putting together cue sheets, chord charts, etc.) now is down to 1. They do offer a free service, but it really gets cool for the paid service (we use the $30 a month plan). One of my favorite functions of Planning Center is the chord chart transposition. Planning Center not only offers this function for FREE to everyone, but also offers an mp3 transpoition function that’s is yet to be released in Planning Center Online. If you don’t use Planning Center, you can still use this function. You must check this out: transposr.com

Written by: James
Posted in Church, Planning | No Comments »
September 25th, 2008

Hymn Evaluation Number 2

When I Survey the Wondrous Cross

I will be using the 1975 edition of the Baptist Hymnal. I do not know if this might change any of my report for the hymn “When I Survey the Wondrous Cross.” The hymn is number 111 in the 1975 version unlike the 1991 version which has the hymn at 144.

The hymn’s literary structure shouldn’t be any different because of the 1975 version. The meter of the hymn is LM otherwise known as 8.8.8.8. Some other hymns with long meter are All hail, adored Trinity, When Jesus comes, and We praise you, Father. The poetic feet are in quatrain which is four line stanzas of any kind. It is also in Iambic tetrameter. The rhyme scheme is abab. A really nice poetic device in this hymn is the climax the arranging of ideas in an ascending order of intensity (Love so amazing, so divine, demands my soul, my life, my all.) The organization pattern would be itemization. I believe it is itemization because the listings of the items are in the hymn to provide thematic unity. The whole of the hymn is used to teach a specific thing, there is an overall intent in the hymn to teach one specific thing.

The scriptural background for the hymn is from Galatians 6:14 which is “May I never boast except in the cross of our Lord Jesus Christ, through which the world has been crucified to me, and I to the world.” Isaac Watts wrote “When I Survey the Wondrous Cross” in preparation for a communion service. People would be able to think about never boasting in anything but the cross, and therefore take that to heart when they examine themselves before they would take the communion. Some of the theological teachings in this hymn are calling Christ the prince, the prince of glory died and “thorns compose so rich a crown”. These call attention to Christ and his royalty as a king who went to a cross to die for his kingdom. Another theological teaching would be “my richest gain I count but loss” which seems to echo Paul when he says in Philippians 3:7 “But whatever was to my profit I now consider loss for the sake of Christ.” I believe the hymn to be in-ward because the first line says “When I survey… the hymn is describing the congregation as thinking and taking to heart the cross.

A summary of the hymn would be a person thinking of the cross, not just any old cross, but the cross of wonders a cross that holds mystery. A cross on which a prince of glory died, the person would then look at all their pride and have to wipe it all away when they would see their prince their king on that cross for them. The blood of the prince which wipes away pride is full of sorrow and love. The thorns compose the crown for the sorrowful prince, and the person is blown away by the love of his/her prince. This kind of love demands everything.

The hymn was for use at a communion service that would be conducted by Isaac Watts. Originally the hymn was to be named “Crucifixion to the World by the Cross of Christ. This was because back in those days there was a practice to summarize a hymn’s title by the theme. It was first published in 1707 in Watt’s collection of “Hymns and Spiritual Songs.” The hymn is the first known hymn to be written in first person. When Watt’s was alive his hymn was considered controversial because it was a hymn of human composure. At the time congregational singing was only the Psalms. The composer is of a Gregorian chant a type of church music popular in the Middle Ages. This was because of Pope Gregory. The person who arranged the hymn was Lowell Mason.

If you have any requests you can email Mike Best at mockran@gmail.com

September 24th, 2008

Been uber crazy lately. Hopefully my schedule will be normal in the near future. I’m backlogging a little bit this week with the services. I have two for you this week. I tried using the Psalm 8 and the Psalm 8 prayer at Grace, then StoneBridge. It was a wonderful way to begin a service, and I would strongly encourage other worship leaders to try similar things with scripture. I had 1 person kick off the service with reading Psalm 8 first, then follow up with another person praying the Psalm.

August 14, 2008

Grace Community Chapel

Psalm 8 & Prayer
Indescribable :: Story, Laura
Psalm 25
To You O Lord :: Kendrick, Graham
Psalm 23
You Never Let Go :: Redman, Beth | Redman, Matt
Surrender :: James, Marc

StoneBridge Community Church

Psalm 135
Famous One :: Tomlin, Chris \ Reeves, Jesse
All Creatures of Our God and King :: Saint Francis of Assisi
You Never Let Go :: Redman, Beth | Redman, Matt
Open The Eyes of My Heart :: Baloche, Paul

August 21, 2008

Grace Community Chapel

Praise To The Lord, the Almight :: TEXT Joachim Neader; translated by Catherine Winkworth MUSIC: Stralsund Gesangbuch, 1665
Rescue :: Anderson, Jared
Once Again :: Redman, Matt
Amazing Grace (My Chains Are Gone) :: Tomlin, Chris | Excell, Edwin Othello | Newton, John | Rees, John P. | Giglio, Louie
Message :: Afraid?
Psalm 56
You Never Let Go :: Redman, Beth | Redman, Matt
Surrender :: James, Marc

StoneBridge Community Church

Psalm 8 and Prayer
Indescribable :: Story, Laura
All Over The World :: Smith, Martin | Redman, Matt
Lord Reign In Me :: Brown, Brenton
I Give You My Heart :: Morgan, Reuben
Draw Me Close :: Carpenter, Kelly

September 13th, 2008

I was reading J.I. Packer’s Knowing God last week, came across this section that was quote convicting. Can you say “amen” or “ouch?”

It is our shame and disgrace today that so many Christians–I will be more specific: so many of the soundest and most orthodox Christians–go through this world in the spirit of the priest and the Levite in our Lord’s parable, seeing human needs all around them, but (after a pious wish, and perhaps a prayer, that God might meet those needs) averting their eyes and passing by on the other side. That is not the Christmas spirit. Nor is it the spirt of those Christians–alas, they are many–whose ambition in life seems limited to building a nice middle-class Christian home, and making nice middle-class Christian friends, and brining up their children in nice middle-class Christian ways, and who leave the submiddle-class sections of the community, Christian and non-Christian, to get on by themselves.

Written by: James
Posted in Culture, community | 1 Comment »
September 12th, 2008

I haven’t liked this book for the longest time. But it’s nice to see others who hold some theological weight (like John MacArthur) comment on the book. This book is one of the biggest threats to modern day Christian theology and culture. It’s worth 6 minutes of your time.

Written by: James
Posted in Christianity, Church, Culture, Theology | 4 Comments »
September 11th, 2008

Hymn Evaluation Number 1

Jerusalem, My Happy Home

The reason that I picked Jerusalem, My Happy Home BH #517 is because of its familiarity.  A well-known band, The David Crowder Band, has a song that is sort of inspired by Jerusalem, My Happy Home.  The song is called Our Happy Home.  Later on I will tell you about the hymn that inspired them.  For now we shall look at the literary structure.
The meter of the hymn is CM otherwise known as 8.6.8.6.  Some other hymns with common meter are O God of Hosts, the mighty Lord, The Lord Shall Come and Not Be Slow, and This Is the Day the Lord Hath Made.  The meter can also be known as the ballad meter.  This is a four line stanza, and primus paeon tetrasyllable is poetic feet.  An example of the primus paeon tetrasyllable is as follows:

Je     ru sa  lem    my  ha ppy  home
Da  Dum Da  Da     Da  Dum Da    Da

When  shall I    come  to     thee?
Da      Dum Da   Da     Da     Dum

The hymn is a  primus paeon tetrasyllable because the syllables are stressed/long and unstressed/short short short.  The pattern is long, short, short, and short.  This continues

When shall my sorrows have an end?  Thy Joys when shall I see?

The rhyme scheme is AABA also known as rubaiyat.  This is because the last words of the lines 1,2 and 4 rhyme.  For example

1: thee? See?
2: face., case.
Non rhyme 3: choir., hear.
4: see, be!

The hymn uses the poetic device chiasmus in line one.  It contrasts sorrows and joy.  This was the only poetic device that I could find.  The literary pattern seems to be a dialogue, for the first lines are all questions and then the questions get answered by the proceeding lines.  The hymn also uses Jerusalem as a metaphor of heaven.
The scriptural background is from Revelation 21:2, I saw …the new Jerusalem.  This hymn teaches about Jerusalem the beautiful.  And how people will go to Jerusalem or as many people know it as heaven.  It then helps teach what people will be doing in Jerusalem and that is worshiping God face to face.  The direction of this hymn is in-ward.  For the hymn is about a person looking towards heaven.  Anyone who is looking forward to heaven should read this hymn and experience for themselves the in-ward direction of worship.
The summary of this hymn is as follows; Jerusalem my happy home, when am I coming home? When shall my sorrows end and my joys forever be!  When shall I see God face to face? I shall have to go home.  I still rejoice in victory I am most happy!  David the King with his harp in hand will play for me as I join the choir.  Ten thousand times I will sing and ten thousand times will never be enough.  Please here my music God! You are my endless joy and I am looking forward to coming home.
The songwriter is Joseph Bromchead.  He was born in 1748 and after graduating from Queen’s College, Oxford (B.A. 1768, and then a M.A. In 1771), he became a parish priest of Eckington, Derbyshire.  He translated some psalms to English verse, and was the editor of the Eckington Collection.  The David Crowder Band was inspired by this hymn.  And wrote a song similar on their cd “A Collision” track 16 called Our Happy Home.
The thoughts discussed in this hymn are mostly theologically sound.  Some could argue that the king David would not have a harp in heaven, but this is a minor thing.  Otherwise the hymn is very accurate describing the bride (the church) waiting for Jerusalem (heaven). The hymn really focuses on the mood of the singer.  If the hymn focused on the thoughts of God, then there would be some text about how God feels about his bride coming home.  Instead it only talks of how the person singing the song feels about seeing Jerusalem.  I would say that the average church goer doesn’t know that heaven is called the New Jerusalem.  Besides that none of the words would need explanation.  The poetry is beautiful.  If I knew poetry then I would think it was simple, but for me it was complicated finding out the poetic feet.  The thoughts in the hymn express spiritual reality to anyone who has ever suffered and is looking forward to a place without suffering.  I believe any congregation with a good minister will be able to come together and appreciate this hymn.  It might even help them to find and hold on to hope of a future in heaven.  The thoughts are very relevant.  Most people will be able to appreciate this hymn and not be bothered by clichés they might find in other songs.
The music really enhances the text.  You could tell somebody put their heart into this piece.  The half notes really helped me enjoy the music with the words.  And they helped give some of the words special emphasis.  Anyone can sing this song without any formal training.  I think that this song should only be used during a fellowship service.  Since the song is mostly for believers in Christ who are looking forward to heaven.  The age groups that would be suitable for this song are anyone probable older than ten.  I say this and I am generalizing.  But most kids don’t think of the glorious heaven and look forward to going there.  I think older congregations could really appreciate this song sing (and I’m generalizing again) but most people 70+  have the after life on their mind.
If this hymn was unfamiliar to a congregation and their were some younger members in the crowd.  Then the church could play the song by David Crowder Band first.  Or the church could play a bunch of hymns in the CM.  If the song needs a new sense of excitement then the preacher could talk about the great glorious heaven or simply give the congregation an open discussion time on what the hymn means to them.  “Jerusalem, My Happy Home” is a great hymn and every congregation should shout this song at least once in a lifetime.

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